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Recent Forte

The Doctor is Out

May 7, 2008 4:44 PM

Scott Walters has posted a "closed" sign on his Theatre Ideas blog.
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Mike Daisey Runs New York

May 5, 2008 7:56 AM

How Theater Failed America is getting ready to transfer to the Barrow Street Theater for a six-week engagement.

Just as exciting is Mr. Daisey's plan to expand the scope of the show by holding a roundtable discussion after each Sunday performance.

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Who's your city... for theater?

May 2, 2008 2:56 PM

Pop-geographer Richard Florida - author of the wildly successful Rise of the Creative Class - released a new book recently, strangely titled Who's Your City? I guess some people out there still demand to know "Who's your daddy?" at, I...
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Why is Provincetown Playhouse a big deal?

April 30, 2008 8:45 AM

Seriously, I knew nothing about the Provincetown Playhouse until Slay's post yesterday. Here's a quick crash course. Their first year was financially profitable, mostly because productions were inexpensive with performers supplying their own costumes, and props borrowed or improvised. Because...
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How To Save the Provincetown Playhouse

April 29, 2008 2:56 PM

Leonard Jacobs spells it out for us....
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The latest from the TheatreNet

TheatreTube: Waiting for Elmo

Posted by Brant on May 12, 2008 12:04 AM

Click here for more Monsterpiece Theatre.

Have I Told You Lately That Your Works Sucks?

Posted by Slay on May 10, 2008 8:46 AM

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"How do I tell you your work sucks nicely?" asks Don Hall, "Is there a civil way to say 'Man. That was very genuine, heartfelt horseshit'?"

He continues ...

More so, if I am considered a friend and think you're show sucks, is it more friendly to politely keep it to myself or tell you it sucks? If I tell you your show blows and I hated it, am I now less a friend? For myself, I prefer friends who are honest enough with me to tell me the truth. Even if it pisses me off or hurts my feelings. Oh - and btw - there is a difference between "You're ugly" and "Your show stunk up the place." The first is personal; the second is about my work.
How many times have you walked out of a show, trying to figure out what the one little bright spot was that you can highlight in your comments to your implicated friends? Have you said to the director, "What a great cast" or to the actors "I loved that one bit" or to the anyone "That must have been really hard to pull off" ... ? I feel your pain, Don. I'm often so sick of lying that I don't even go to the shows.

Of course the flip side of this is that I now I'm worrying how many of my friends have actually hated my work. Well, I guess that group probably includes the ones who don't come anymore. Oh well.

And isn't it hard listening to your friends' comments at all? They say, "Great work, man," and you're thinking "He said great work. He didn't have to say great. Maybe he really did like it."

I guess it'd be easier to just do without friends at all, right?

TheatreTube: Sandy Meisner

Posted by Brant on May 8, 2008 8:44 PM

Portfolio careers

Posted by Brant on May 8, 2008 8:15 PM

Here's a buzzy term I picked up the other day: Portfolio career.

Just because 88% of Equity members are unemployed at any given time, doesn't mean they're all standing in line at the local soup kitchen. Most artists, including actors, put together multiple part-time and contractual jobs to assemble full-time employment. So maybe they do an Equity show, they do some voice-over work through AFTRA, they do a couple of walk-on film roles through SAG, they teach a Meisner class twice a week at a friend's studio, etc, etc. They have a career, it just requires some assembly into a "portfolio."

In other words, if you consider Equity's statistics in isolation, it gives the impression that the life of a working actor is awfully grim. Not saying that it's all roses and sunshine, either; only that "unemployed with Equity" doesn't mean the same thing as "unemployed actor."