[How to] STAY HUMAN

The sequel to DIRTY MATH!

[How to] Stay Human
Created by AVLT
Directed by Matt Slaybaugh.

Featuring Acacia Duncan, Jordan Fehr,
Michelle Schroeder, and Ian Short.

Sound Design by Dave Wallingford
Lighting Design by Jason Banks
Scenic Art by Michael Szajna
Featured directing by Eleni Papaleonardos

Thursday, November 5 @ 8pm w/ TALKBACK
Friday, November 6 @ 8pm w/ TALKBACK
Saturday, November 7 @ 8pm w/ TALKBACK
Sunday, November 8 @ 2pm

Wednesday, November 11 @ 6pm
Thursday, November 12 @ 8pm w/ TALKBACK
Friday, November 13 @ 12pm
Friday, November 13 @ 8pm w/ TALKBACK
Saturday, November 14 @ 8pm

All performances @
Columbus Performing Arts Center
.
549 Franklin Avenue

CLICK HERE for a map and to get directions.

Call 614-558-7408 for more info.

Make reservations online
or Pay What You Want at the door.

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FROM the BLOG
A play about saving the environment, rebuilding the global economy, and living happily ever after.

If you're not thinking about change, then this play might be too soon for you.


A little bit about this church

Posted by Slay on Friday, June 26, 2009

Here’s what playwright Young Jean Lee’s website has to say about her play Church

“Come unto me, all ye that labor and are heavy laden, and I will give you rest.”

Playwright and director Young Jean Lee transforms her life-long struggle with Christianity into an exuberant church service designed to test the expectations of the religious and non-religious alike. Using music, dancing, and preaching, four liberal Evangelical Christian ministers with a taste for the surreal offer God as a solution to the hollowness of contemporary life.

“[Young Jean Lee’s] slyly subversive drama [CHURCH] ambushes its audience with an earnest and surprisingly moving Christian church service that might be the most unlikely provocation produced in years.” - The New York Times

Acacia and I saw Young Jean Lee’s own production of the show in January 2008, and the Public Theatre as part of the NYC Under the Radar Festival. Interestingly, the premiere of the show, at PS122, was supported in part by our very own Wexner Center for the arts.