Enter the world of Saturday morning cartoon animators in 1975. The lead actor has just died a scandalous death. The head writer, fed up with Watergate, the loss of heroes, and corporate corumption would like to write the hero’s demise into the script to give him a heroic death. But FCC regulations do not allow death on a Saturday morning cartoon.

An earlier version of this play was a semi-finalist at the O’Neill last year. It was chosen as a first place winner and given a reading at the Chameleon Theatre Circle’s New Plays Festival in 2013 in Minnesota.

Isabel is walking 500 miles across Spain on the Camino de Santiago. What is she looking for? And is she ready for what she will find? Her Quixote is a splintering of Cervantes’ massive (and metafictional) novel, remixed with a wide variety of writing about walking. It examines the power of pilgrimage, how we get lost, and how we can find ourselves again.

Like Schlueter’s work with the for/word company, this play is collage out of a wide variety of sources including Kathryn Harrison’s The Road to Santiago; Elaine Orabona Foster and Joseph Foster III’s In Movement There Is Peace; Jack Hitt’s Off The Road; Donald P. McCrory’s No Ordinary Man: The Life and Times of Miguel de Cervantes; Jane Christmas’s What the Psychic Told The Pilgrim; Conrad Rudolph’s Pilgrimage to the End of the World; Donald and Maria Schell’s My Father, My Daughter: Pilgrims on the Road to Santiago; Paolo Coelho’s The Pilgrimage; Robert Ward’s All the Good Pilgrims; Wendy Lesser’s “The First Novel,” Jorge Luis Borges’s “Pierre Menard, Author of the Quixote,” Rebecca Solnit’s body of work including The Faraway Nearby, A Field Guide to Getting Lost, A Book of Migrations, Men Explain Things To Me, and Wanderlust; the vast collection of pilgrim’s photography and recollections on tumblr, especially Goldiknocks; and Edith Grossman’s elegant translation of Miguel de Cervantes’s Don Quixote. It was developed in workshop with members of Available Light Theatre (Columbus, Ohio) including Acacia Duncan, Drew Eberly, Kim Garrison-Hopcraft, David Glover, Eleni Papaleonardos, Elena Peratoni-Fehr, Michelle Schroeder, and Matt Slaybaugh.

On the hottest day of the summer, Marjean’s carefully controlled life—a small empire of drug deals and police payoffs—begins to fall apart. How long must we wait before we our misdeeds catch up to us? After examines the consequences of a shocking act of violence nearly a decade before, and the ways in which some people live while others can only hope to survive.

The end of the world is coming. In a cozy, full-equipped, and completely secure underground bunker, a woman walks us through how to survive the apocalypse. But what exactly brought her down here in the first place? And what’s the price of completely safety? Find out in this giddily morbid one-woman show.

Trapped by a stranger in her office, psychologist Dr. Devra Mendoza must use all of her training to maneuver her way through a game of cat and mouse with life and death consequences. Rust on Bone looks at the personal cost of war, societal stigmas of therapy, and the ripple effects of trauma and mental illness.

The play has received a workshop presentation at Ohio University, a public reading in NYC directed by Chuck Smith in July 2014, and took part of the New Play reading series at Gulfshore Playhouse in Naples FL in September 2014.

Step behind the curtain as Gorgeous Gladys Valentine works her way up through the ranks of the unreal business of 1940s professional wrestling. As Gladys watches Ida Jean – the champion and her idol – get forced out of the spotlight, she realizes that rules of the game are not what she believed.