"You sitting alone at the bar:
A feminist act. Do it.”

‍Food. Drinks. Books. A bartender who won't let you order anything lame.

A handsome stranger walks in and asks for something special, setting off an upside-down romantic comedy inside and out of our heroine's head. Desires of all kinds are awakened with a ferocious thump.

A nice smile is a nice smile, but can we enjoy the sausage once we know how it’s made?

Part album, part memoir, Drew Eberly surrounds his indie folk songs with stories of Ohio’s great towns and the people who leave them.

You ever notice how everyone around here is from somewhere else?

You’ve met his parents but have you been to his hometown? Have you seen his embarrassing senior picture hanging up in the old living room? Was a 17 year-old with a mustache ever acceptable?

Dear Piqua is a highly curated mixtape about the meaning of home.

We dare you NOT to Google this play.
‍
THIS PLAY IS SEALED INSIDE AN ENVELOPE.

Each night, the actor about to perform has never seen it. In fact, there is a new actor every performance, and they’ve only been told what is absolutely necessary.

WHITE RABBIT RED RABBIT is a lively, global sensation that no-one is allowed to talk about. Its award-winning playwright, Nassim Soleimanpour, is Iranian. His words have escaped censorship and are awaiting your audience. Slyly humorous and audaciously pointed, this "theater entertainment meets social experiment" is unlike anything, and will make you question everything. Have fun!

appropriate: adj. - suitable or fitting for a particular purpose, person, occasion, etc.:

appropriate: verb - to take without permission or consent; seize; expropriate:

The acrimonious homecoming, the family reunion gone very wrong, old resentments bubble over and family secrets are revealed. It's a staple of American storytelling. Branden Jacobs-Jenkins, the theatre's fastest rising star, uses it to concoct a conflict that could not feel more up-to-the-minute.

In Appropriate, the Lafayette family gathers at the neglected Arkansas home of their deceased father. As his three adult children collide over clutter, debt, and a contentious family history, they unearth the relics of their father’s vile, hidden past.

This is Jane.
Jane is a widow. Jane is a mother.
Jane was a poet. Jane is not okay.
You know exactly what I'm not quite talking about.

In this cryptic comedy, Jane is accompanied by her closest friends. Together they game their way into a midlife moment of doubt, filling the air with words. But nothing can drown out the disquieting sense that somebody has changed the rules.

Quirky, cult-favorite playwright Melissa James Gibson refuses to provide tidy answers or endings for Jane or her questions of what’s missing and what matters in contemporary life.